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Metal For Life Blog

~ The official blog of Metal Mike. I'm a heavy metal musician most commonly known as a long standing guitarist to Judas Priest frontman, Rob Halford. I'm a highly sought after heavy metal guitar and music coach. I am also a solo artist, an entrepreneur, a business owner, an avid car nut and a closet extrovert. I believe Heavy Metal should be lived loud & proud and it has been a highly motivating source in my life. I'm here to share my thoughts, pass on lessons learned and sometimes chew on big subjects. If you enjoy the content of Metal For Life, I only ask you to share my blog with one more person. Thank you & welcome.

Metal For Life Blog

Category Archives: Gear & Reviews

The Jedi Trick Of Using An iPhone In The Studio

04 Monday Sep 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music

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I want to share a quick tip with guitar players that will make things easier in your search for the perfect guitar sound when recording.

Most of you will probably agree that you often start with an amp setting, tweak as you go through a few other options and then tell yourself that some of the initial settings sounded the best. However, you realize you have a hard time pinpointing exact previous locations of the control knobs. You can get it close, but not exact. Once you start adding pedals and studio gear, things can run away from you pretty quickly.

Here’s what you do.

You use a small digital camera or an iPhone to take pics and document your favorite settings or useful sounds on amps, pre-amps or whatever you choose to recall in the studio. Taking a look at a pic of your prior settings makes recalling things super easy.

I keep a small camera handy and scroll through it if I’m looking for a particular sound I might’ve gotten in the past or if I want a solid starting point to build on. You can focus in on your pics and get the exact location of your previous moves.

This becomes especially helpful if I try to recall settings I’ve used to record different instruments such as bass, guitars or vocals through a single-channel pre-amp that I love to use. Instead of starting from scratch to set up a sound, I can quickly get into the ballpark and build from that point.

Of course, this doesn’t have to stop at the recording studio. Live amp settings, pedal board setup all the way to a correct way to pack an equipment trailer can be easily be recalled with a digital camera.

So, there you go! It’s a simple solution to a big problem. I must give credit to Judas Priest producer and my Halford bandmate Roy Z, from whom I picked up this idea.

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Navigating The World Of Endorsements

15 Tuesday Aug 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music, Inspiration & Motivation

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Young musicians often ask me about endorsement deals and how to get them.

I think most can see an endorsement deal as beneficial to their career and, in a way, a positive nod from the music industry.

In most cases, however, players who ask me this question don’t know how to go about getting one — and what an endorsement deal might actually look like.

In a nutshell, an endorsement agreement is a two-way street agreement between the artist (That would be you) and the company that manufacturers the equipment you’re interested in endorsing. Remember that while you are interested in climbing the ladder of success, the company you’re about to deal with also wants some return on whatever it will put into the relationship.

So here are some thoughts on endorsements.

First, you must be ready for a potential company to see you as a plus on the artist roster.

Before you approach a company whose gear you like, be ready to prove to them that you have music available that people like, have some sort of following and you are working hard on your craft. If anything, you have to convince them that your future’s looking promising. Regional or national touring, reviews in major publications or rabid fan following are a definite plus, but often not a necessity to obtain an entry-level endorsement.

Every equipment-manufacturing company has a gatekeeper, or an artist relations representative who deals with signing new artists and managing existing relationships. Upon calling or e-mailing the company, you need to find out who that person is and, if possible, in what formats they accept new endorsement submissions.

Most like real product like CDs, while the bio, press clippings, tour flyers or chart positions can be digital. This isn’t always the case, however, so you’ll have to ask the correct questions. When you present yourself, it really helps to think from the other person’s point of view and ask yourself why you would endorse someone who has sent in your package.

Prepare to be diligent about all of this, including making the initial contact, because artist-endorsement reps can be busy people who get bombarded with e-mails and calls from musicians. Make a plan of attack and stick with it. It’s always best if you can connect with the artist relations rep directly and they know to expect your package.

Upon sending in your package, wait a couple of weeks before following up.

WHO GETS ENDORSED:

I asked an endorsement rep from a major pedal company about the criteria regarding who they endorse; he said that, in his case, there are three major categories:

1. Less-known artist who works hard at their craft and has something to prove for their hard work (CD, shows, reviews, etc.)

2. Major artists that are so good for the company to associate with that it’s a no-brainer. A new deal with them means more sales of their product because the artist is very popular.

3. Players the company simply likes. This could be a local guitar hero with likeable personality who shows a lot of promise. Sometimes it’s a simple as that.

WHAT’S THE DEAL:

As you might imagine, if you do make it onto the artist endorsement roster, your deal might not look like the superstar artist that also sits firmly on top of the pecking order.

Entry-level endorsement might mean you get a percentage off the retail price of the product. That can be great in many ways. You get your favorite guitar cheaper, and you’ve raised your profile. It’s a great start.

The variety of deals is as wild as you can imagine. They can range from simply discounted equipment to a specific amount of free gear per year, to tour support, advertisements in major publications and company catalogs, signature equipment lines and so forth. The brighter the “brand” of the artist, the more involved you will find the agreement.

Of course, the more popular the artist, the more demands he or she will have on the endorsing company as well. Both sides will look for commitments. For example, a touring artist might want to know about things such as distribution of the product they endorse in various parts of the world.

In some situations, it is not uncommon to leave your main backline, such as guitar heads and cabinets, home while you do concerts in Europe. As an artist, you will want to know if your endorsement company can provide you with loaner equipment in various countries. If you’re a well-known artist, the endorsing company might want to know if you can open parts of your schedule for photo shoots, music convention appearances, YouTube product demos and the like. That goes back to the two-way street I mentioned earlier.

In the earlier entry stages, however, the manufacturer will simply ask you to talk about their product in relevant interviews and will allow you to post their logos on your website, music releases and publicity shots. This can be a very nice thing to have. In return, it can open some doors in getting other endorsements, getting auditions or gigs, etc.

Simply put, an affiliation with a well-known company gives you street credit.

Some agreements, especially at this stage, are not very formal and might not even include a contract from both sides. It depends on the company. If you do sign a contract, you can expect a short document stating how long is the endorsement good for, whether it is an exclusive or non-exclusive deal, what is your artist discount and a couple other minor clauses.

As your profile grows, you might be asked to perform clinics and workshops for the manufacturer, maybe even develop a signature product or be a guinea pig who tests new, unreleased equipment that’s in the development stage.

It’s fun to be involved, and I enjoy giving my feedback to my endorsing companies, on whatever they might be developing. Deals might get more formal and specific at this stage.

As you navigate through the world of endorsements, it’s important to keep in mind that not all companies work alike. You might find that some don’t mind working with lesser-known artists; some consider only high-profile players and bands. There are some killer companies out there, no matter how big or small, who take care of their artists.

Good luck — and endorse the gear you believe in!

Thanks for reading,
Metal Mike

One Way Ticket To An Amazing Guitar Tone

07 Monday Aug 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music, Inspiration & Motivation

≈ Leave a comment

Guitar players are usually on some sort of a mission to improve our guitar tone. For many, this journey never ends. I dare say we’re obsessed with it.

The point of this blog post is simple, and I’m not going to comment much on the new toys for our guitars. However, I can tell you without any trepidation that the single greatest way to improve your tone is practicing.

It might seem simple, but on the other hand, it can take years for us to truly understand it.

A couple of years into playing guitar, I realized practice is the greatest tone improver. Today, whenever I put in some serious practice time, I start gaining major tonal benefits as a result.

01. I notice I need less gain to execute what I’m playing, which lessens saturation. The result is a more dynamic, punchier sound. Your chords and notes get better definition and retain their character. If you play in a band, trust me, your sound man will love you.

02. I can easily play guitar with higher action, which allows the strings to breathe more, making notes sound fuller. It also can provide more room for a better, more controlled vibrato.

03. The strength in my left hand allows for a better touch on the guitar, which provides warmer chords, better intonation and less fuzz.

04. The strength in my picking hand allows for more controlled and confident pick attack, resulting in a tighter sound.

Practicing regularly will bring you the same results. You can take the above to a whole new level if you have the chance to play live for a few weeks on the road. Playing regularly in a live setting can do incredible things for your guitar’s tone and control. I call this “road chops,” and it’s basically a symphony your body goes through to prepare you for a tonal killing machine.

You’ll learn how to hit a chord so it jumps out of the speaker. And you might also find out that fuzzy, no-middle guitar sound will mean no one will ever hear you. And that’s just the beginning.

So, let’s also say this: For killer tone, aspire to practice with a band or play out live. I promise that you will learn things you can not do while practicing alone.

For the most part, I have little need to improve my guitar sound with outside equipment. If I hear that things aren’t sounding quite right, I practice more. This usually takes care of 90 percent of the improvement I might be looking for.

Till next time, horns up!

Quick Tip On Better Guitar Tunage

23 Friday Jun 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music

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Ok, here’s a nice quick guitar tip that will help you keep your guitar in tune. When changing strings on a guitar that has no locking pieces at the nut, right before I put the string into the grove at the top of the neck – I sprinkle some graphite from a pencil. I take the pencil, move it up and down the groove in the nut and enough of the graphite will quickly fall in. I get the big pencils that are used for construction at Home Depot. Then, I put the string in.

Why does it work? Graphite is very slippery and slick and having some of it in the nut helps the string move or adjust as you bend or tune your guitar. If the above doesn’t make sense, keep re-reading it until it does. I have been using this trick for years and have found it very helpful.

4 Steps That Will Keep Your Guitar Looking Amazing

18 Thursday May 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music

≈ 2 Comments

OK, I admit I’m a bit compulsive when it comes to keeping my guitars clean. And I don’t mean that in the “Look, but don’t touch” way, since many of my guitars have dings and small cracks. I mean it in terms of keeping my guitars CLEAN.

So I’ve been known to drive my techs a bit nuts. But let my pain be your gain! I’m going to share some secrets on how to keep your guitar’s finish spot-free.

Did you know your guitar’s paint job is similar to a car’s? It’s true. Your guitar’s finish consists of paint (or color), then you have a thin layer of clear coat that covers the paint. Since I have detailed a car or two in my day (another one of my interests), I’ve been using my car-detailing knowledge to my advantage. As a matter of fact, Meguiars (a company that makes consumer-and professional-grade car-detailing products) also makes polishes for guitar companies, including Fender and Jackson.

If you’ve ever used guitar polishes from music stores and still think your guitar doesn’t have that store-bought, sparkling gloss, this is because you are missing several steps needed to bring back and maintain that look. So, here are steps you can take to make your axe shiner than the next guy’s.

Step 1: Paint-Cleaning Clay Paint-cleaning clay, which you can buy in any auto parts store, looks like a child’s modeling clay. I know this sounds weird, but it works. Use some “quick detailing spray” (also from an auto parts store) to serve as a lubricant as you gently slide the paint-cleaning clay back and forth. This removes contaminants, dirt and gunk from your guitar. You can actually hear the clay pick up the contaminants. Your guitar’s finish also will be very smooth when you’re done, and you’ll get back some of its lost gloss. To clean your ax after you’re done with claying, use a microfiber cloth. Microfiber is made from thousands of tiny loops that trap dirt (and everything else) in its fibers. It cleans well and will not scratch your paint. Stay away from socks, T-shirts and the like, because they will only scratch your guitar more!

Step 2: Polish Many people get confused by this. When we think of “polishing” something, we think of shining something to a glossy finish. However, in professional talk, polish is something you use to remove light scratches embedded in the clear coat. Several guitar-detailing companies such as Planet Waves make guitar polish that do exactly that. Some guitar companies call this a paint restorer. You also can get one from a car store. Ask for car paint polish, and make sure you get something designed to remove light scratches. There are different ones available, depending on how aggressive you want to get. Most guitars have very light scratches caused by clothes, guitar picks, gig bags, etc. The best results will be obtained if you use a small polish pad (which is usually orange or red) that also can be bought at an auto parts store or car-detailing website. Buff off your guitar with a clean microfiber cloth after you get a light haze from the polish on the paint. A good job should leave your guitar fairly scratch-free, and your paint will have no oxidation. Your guitar’s rich, deep color should be back at this step. Remember to use the polish sparingly.

Step 3: Wax OK, now you can wax your guitar. Wax will protect your clean, polished paint from oxidation, light scratches, etc. The best wax is made from 100 percent Carnauba, but other variations will also work. Wax hardens on your guitar, making a great protective barrier. You can use microfiber cloth to put the wax on your guitar and after a light haze to buff it out. Remember not to use too much, as it will make the job messy and make the wax hard to remove. If you have a hard time removing the wax, use a little car-detailing spray. If you want to make your guitar look awesome, put on a light coat of wax, let it dry, put on another coat, let it dry and buff off everything with a microfiber cloth. You’ll be amazed!

Step 4: Here’s what you have most likely been buying at your music store in an attempt to keep your guitar clean. Some of these products are labeled “guitar polish.” Since we know what a polish is now, let’s just call them “detailers.” As you can see, you have been adding some minor gloss onto a guitar that needed some TLC. After you have clayed, polished and waxed the finish, you can use your detailer on a daily basis to keep off your fingerprints and just to generally keep the finish looking glossy. Again, use a microfiber cloth to do this. Every so often, you will need to revisit steps 1 or 2 to keep your guitar looking its best. To save money, buy a bottle of car paint detailer for about $6. It will last forever and will do just as good of a job.

To recap, here’s a list of materials. You will need paint cleaning clay, microfiber cloths, car or guitar polish, a polish pad, car or guitar wax, car or guitar detailer. Most of these products can be purchased from car detailing Internet outlets, big box stores such as Walmart, car-care stores such as Autozone, or guitar-cleaning-product manufacturers such as Planet Waves. Feel free to find car paint detail tips from the internet and simply apply them to a guitar! Good luck, and keep those axes gleaming!

Mystery Of String Gauges Explained

10 Monday Apr 2017

Posted by Metal Mike in Gear & Reviews, Inspiration & Motivation, Uncategorized

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One of the questions I am asked by many guitar players is what gauge of strings should they choose to string their axe. And, while I give them the answers that it does depend on their own preference, the brand of strings, etc – I realized that guitar players also suffer from the Bigger Then The Next Guy syndrome. What I mean is that many players simply choose to go for bigger strings to make themselves feel better about their guitar ability.

Getting a bigger string size could make you appear that your fingers are stronger, or that you can handle a bigger string – the truth is that while we build our egos, our guitar playing suffers.

I see some players string their guitars that are tuned to A=440 with 11’s. That seems ridiculous to me.

On the other side of the coin, I know of famed guitar heroes that have not one problem using a very light gauge.

You should choose what feels right to you now; versus what you think, you should be playing.

Here is an example:

For standard tuning (A=440), I play a 9-46 gauge. However, for when I am recording guitar solos in the studio I will sometimes change to 9-42. It fights me less and it helps me. It helps me to execute guitar runs while providing a support for better vibrato, etc. It is not always the case, but I do that on occasion. For live shows and when recording rhythm guitars, I only use 9-46 as the heavier bottom allows the guitar to sound a hair bigger and more importantly helps my guitar stay in tune better.

I also use the 9-46 gauge when I play in drop D (although rarely) (Lowest string a whole step down). The bigger bottom helps lower chords stay in tune without going sharp when you hit them.

For “D” tuning (every string a whole step down) – I use 10-52

Hope this helps you deciding on what is right for you.

How To Extend The Life Of Your Guitar Strings

22 Wednesday Feb 2017

Posted by Metal Mike in Gear & Reviews, Guitar & Music

≈ Leave a comment

I want to share another quick tip with you and this one has to do with extending the life of your guitar strings.

Ok, I must admit that sometimes I’m not a fan of changing guitar strings. Not that it takes too long, but I’d rather be playing them then changing them. I’m sure you might agree.

What I found out is that after I finish playing the guitar – I lightly spray some guitar cleaning polish or something like Pledge on the strings and wipe of the sweat from playing. Do this also underneath the string as well. What kills the strings quickly is the toxins and rust that forms on them from being wet after you are done playing. This trick keeps the strings lightly worn in, which gives them a nice warm tone while extending their life. So, spray and wipe after you are done and it’s a simple as that.

I know many (most?) players don’t wipe their strings down. Now, you can use this info in your metal guitar ninja tool-box. Check it out for yourself.

Interesting Note: Years back guitarists used to boil their strings. Yep, you got that right … they would take the strings off, boil them in hot water for a while and put them back on. The strings would sound bright and like new again, but would break easily!

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